The 1975- Two Nights in Denver

Fillmore Auditorium
Denver, Colorado
May 6th & 7th

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What you’ve all been waiting for.

Starting off with that agonizing ten-minute hum, the crowd anxiously talks amongst themselves, each with hearts beginning to beat faster and faster.  The noise crescendos, the iconic rectangle glows of bright pink, then the quick burst of light, silence followed by “go down, soft sound..” as the colorful static engulfs the screen.  Inside of the crowd you don’t notice it, but standing at the back of The Fillmore the screams become almost ear piercing as the four band members casually walk on stage amidst the fog and intensifying lights.  The 1975 audio crescendos, another bright pop of light, silence….

The show has begun.

Following a similar setlist as performed over the last year, the band pumped up the crowd with Love Me as the opening number, followed by a mix of songs from their self-titled album The 1975 and I Like it When You Sleep. After seeing the band perform multiple times over the years, I still can’t help but get goosebumps and flushed cheeks as I watch their masterpiece unfold in front of thousands.  Hearing and seeing their song iliwys live for the first time this weekend was indescribable.  I might have shed some tears watching it on their BBC Live Lounge symphony performance, but in person the feeling it brought was complete happiness.  Watching the boys all bob in sync while performing such a defining song was electrifying.

The 1975 without a doubt take us on an emotional journey as their set creates pieces of art combining the lights and the music.  The backdrop of the video screen, the four pillars and the three hanging rectangles gives the audience context to put with the songs and incredible images to hold on to well after the show is over.  The band’s performance over the two nights in Denver holds constant in their musical talent and ability to capture the attention of every single person in the sold-out venue.  Matty Healy’s voice whether singing, ranting or just talking has a way of connecting each person to whomever they are standing next to.  With wide eyes and open ears, every fan has been impacted by the brilliance of Matty, George, Adam and Ross.  Beyond just their music, these four musicians have created a bubble for us to revel in and thrive on.  They have been able to convey a message of love, lust, confusion and acceptance to youth around the world, which is so important in today’s time.  They have defied the rules of rock and roll and have become their own genre of entertainment.  There are no limits with this band, they have surpassed the expectations of everyone and continue to climb up a ladder only they can extend.

Music for Cars can’t come soon enough.

Listen on Spotify and iTunes. Watch on YouTube.

 

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Openers for The 1975- Colouring & Pale Waves

Fillmore Auditorium
Denver, Colorado
May 6th & 7th

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Colouring

It didn’t take long for the opening band Colouring, to take ahold of the crowd. Within seconds of their first song Symmetry the audience was swaying back and forth.   The four-piece band of Londoners have figured out their balance of synth and real instruments, supported by frontman Jack Kenworthy’s smooth vocals.  Their set goes from pop, to interludes of synthy-dubstep, to an emotional ballad with Kenworthy on the piano.  Each song more captivating than the last drew in the ears of listeners in Denver’s Fillmore Auditorium and had everyone whispering to fellow concert goers to find out the name of the band.  Their small following of fans is sure to blow up after this tour.

Colouring, signed to Interscope Records, have recently released a new single called The Wave, in addition to a music video for their song Heathen.

Listen on Spotify and iTunes. Watch on YouTube.

 

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Pale Waves

If you could hand pick the perfect opener for The 1975, it would be Pale Waves. With their nineties goth look in combination with their familiar sounding pop songs, the band brought the patient audience one step closer to The 1975.  The Manchester natives easily excited the crowd with their set mainly filled with songs that are yet to be released, ending with their hit single There’s A Honey.

The guitar riffs, synthetic beats and catchy lyrics made it inevitable for anyone to stand still as Pale Waves embraced the stage as their own and warmed up the audience for memorable night. Take a few minutes and watch their new music video on the Pale Waves Vevo, for a quick taste of what their live performance is like, you’ll be hooked in no time!

Listen on Spotify and iTunes. Watch on YouTube.

Love is in the air with Lana Del Ray’s new single

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Lana knows how to make us go crazy—crazy for her music. Her new song Love takes listeners on a trip down memory lane, as she effortlessly serenades us with reflections back to the simpler times of being a young and carefree teenager. It seems as though Lana has taken a different perspective in Love, as opposed to her typical “live fast, die young” vibe.  In this single she breaks things down with a more mature sense of the world and of love.

As always, Lana’s voice is definitely the dominant sound on the record, but the soft and subtle instrumentation gives the song that nostalgic feel that permeates deep into your soul. Lana’s ability to mix the old with the new brings us through the decades in a matter of minutes.  It’s as if your sitting on a bench with your sweetheart in the 50’s and then in a blink of an eye you’re in 2017 sitting at your desk listening to music.  The video for Love adds to this mixture of the past, present and future and keeps us locked into a dreamy Lana state.

In her ode to young love, Lana has given us four minutes of tranquility in this ridiculous world we’re living in right now. Keep ‘em coming Lana because we are more than ready!

 

Listen on Spotify and iTunes

Turning the tables on heartbreak.

 

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Blaise Moore, a young, Toronto native just re-released an EP under Interscope Records, boldly named after her ex, Laurence. The 21-year old lays out the gritty details of a relationship gone bad in just seven tracks.  Originally released as London EP, the record started and ended with songs titled after the airport codes for London (LGW) and Toronto (YYZ), drawing on an emotional experience that led to heartbreak.  Valentine’s marked the day the Laurence EP dropped, loaded with expressive lyrics and sensual sounds that will get you in an easy-going groove.

Moore’s haunting vocals in London left us wanting more, which she delivered in Laurence with two new songs, Fuck It and Stutter.  The record has a smooth and relaxing vibe, but as you listen to the soulful lyrics you can tell that Moore wrote honest, feel-good revenge ballads without regret.  She’s got an urban R&B sound, with seductive rhythms and provocative lyrics.  The Laurence EP gives off a feel of Lana Del Ray mixed with a bit of a hip-hop, Queen Bey-esque sound in the latest two tracks.  With an EP full of those angry 3 am thoughts every girl has had, Blaise Moore is on a path to success with her authentic, and daringly risqué words turned into art.  Keep your eyes out for Moore, as this is just the start of her career as young musician empowering women to speak their minds.

You can catch Blaise Moore as the supporting act for The Japanese House on select US dates.

Listen on Spotify and iTunes